At the wedding feast of Shen Hsiu Chang (Chung Wa), a guest named Tu Fu Liang (Lau Luk Wa) suddenly announces that he had an affair with the bride, Yun Ching . The bridegroom is furious and turns on her. She disappears sadly. The next morning, her headless body is found in a lonely spot. A couple of days later, a hunter named Wu Hsiung finds a badly decomposed human head and returns it to the widower. He is rewarded with 1000 pieces of silver as the bereaved family thinks it is the head of the dead bride.
No list of the screen’s comic geniuses would be complete without Michael Hui Kwun-man. He created a hilarious and lovable comic persona that was both uniquely Asian but also universally beloved. This, his first film, not only showcased his incomparable sense of humor but revolutionized Hong Kong comedy. Evoking Chaplin, he plays a warlord in early 20th Century China, but makes the role his own with both laughs and some of the sexiest ladies on the Shaw Brothers lot.
The Movie opens with a green-tinted prologue in which police inspector Ji De (Yueh Hua) investigates a murder apparently committed by a prostitute named Ainu (Lily Ho Li-li). Flashbacks reveal that Ainu was among a number of maidens kidnapped by brigands under the orders of regal, lesbian Madam Chun (Betty Pei Ti). Although the girl’s virginity is auctioned off in the usual manner to a group of rich deviants, Chun is attracted to her beauty and pluck and takes Ainu under her wing. Soon deeply infatuated, she imparts all of her martial arts skills to the girl, who goes on to become the establishment’s number one attraction. When a second murder occurs, Ji deduces that Ainu is eliminating the men who raped her years earlier but his hands are tied, as he has no concrete evidence and the suspect enjoys greatprivilege with the upper echelons of society. So great is her protection that Ainu even secretly visits the policeman and openly admits to the crimes but nothing the lawman says to the next targets on her list will dissuade them fromcontinuing their dalliances.
What happens when the entire Shaw Brothers Scenario Group, Direction Group, and Cinematography Group collaborate on a single exotic film? The result is a timeless and titillating tale of the immoral private lives of the royal court’s high officials. All the bed and body hopping is not exclusive to the family, either. Their maids and servants get involved as well, leading to flesh, fibs, and suicide, among other things. Taken all together, this is an all-time classic of sumptuous sexuality.
An old man of the village tells kinky ghost stories to a few of it’s inhabitants after all the kids have gone to bed. What follows are stories that have horror elements and some soft-core nudity thrown in.
Vaunted director Li Han-Hsiang reveals the way of the world in this anthology film of four stories that feature far more swindlers and swindling than lovers or love. There’s fake acupuncturists, gullible counterfeiters, a jewelry heist in a VD clinic, and a salesgirl’s subtle scam in these short cinematic stories of gulls, dopes, marks, and fools and the cons, cheaters, charlatans, and connivers who trick them. It’s four times the fraud as the cheats, gyps, and rip-offs come fast and furious!
The Tseng family is one of the most noble and respected clans in a small village in Tibet. The patriarch of the Tseng family wants to marry off his daughter Ching Lan into the Kao clan. However, the cunning and deceitful eldest brother Kao Chu only wants his younger sibling Kao I-Fan to marry Lan so he can gain access to the Tseng family’s considerable wealth and power.
There have been many film versions of “The Golden Lotus”, the most erotic novel in Chinese history, but none have combined artistry with sensuality as successfully as this 1974 classic, featuring three of the screen’s sexiest stars. The director was already famous for his historical epics and modern sex comedies, but here outdoes himself in this recounting of the murders, corruptions, and sexual exploits of a Sung Dynasty lothario 900 years ago. (IVL)