One of Nikkatsu Studios’ most tedious filmmakers, Katsuhiko Fujii, who almost singlehandedly engineered the company’s decline with the dreadful Dan Oniroku Hebi No Ana, directed this formulaic rape-revenge film. A maniac breaks into the apartment of two sisters (Rei Akasaka, Megumi Kiyosato) and abuses them sexually and physically until they turn the tables. Like many American entries in the subgenre, the revenge scenes come off as a somewhat cynical attempt to justify the sadistic nature of what came before, while the rapes are clearly meant to entice the darker elements of the trenchcoat crowd. Kiriko Shimizu co-stars.
The story of Shinsuke, a young man who lives through a stormy life as a poverty-stricken coal miner. Ranging from Shinsuke’s infanthood to his mid-teens. Coal workers and the mines dominate nearly every aspect of his life. Shinsuke’s father a group leader at the mine, dies while bravely using dynamite to rescue a group of trapped Korean miners. Several older men attempt to help he and his mother cope, including a friendly Harley-riding yakuza boss. This movie has it all, drama, romance, sex, yakuza and violence! It is based on a story by Hiroyuki Itsuki that was originally serialized in the magazine Shukan Gendai in 1969-70.
When the wife of the Shogun’s Decapitator is murdered and he is ordered to commit suicide by the paranoid Shogun, he and his four-year-old son escape and become assassins for hire, embarking on a journey of blood and violent death.
The hero-worship that Simone has for a pop singer is built to a crescendo until she passes out when she finally sees him up-close in a crowd of fans pushing him for autographs. She is later shocked when he lets her know that he does not love her. In an instant, she is caught “in a trance” and feels a murderous urge that is bigger than the both of them.
A female got viciously raped and killed. Aya, the publisher of a popular journal, and the professional photographer Kajii hurry to the location of the murder to make some photos for the news. The picture is awful as the murderer had cut the genitals out of his woman’s body. Aya get a tip from a photograph published in the journal, that was used by the fifteen years old person. Kajii prospects Shun to be the killer and starts following him with the help of his girlfriend. A couple of days later the maniac hits again. A new victim is Makiko, with whom Aya had lesbian sex and relationship. Their investigation for finding the killer leads them to a playground in which the first slay has had place. But who may be this High Noon Slasher and why is killing innocent girls.
There is no girl without a mother in front of real love. A topical work that actress Shima Iwashita challenged the best pure love story that Watanabe literature resembles to the beauty and mysteries of the weeping cherry.