Eunha, who is a stateless person, is imprisoned for charged with murder. A warmhearted, coolheaded correctional officer goes through turbulent changes of his emotions after he meets the woman. The movie depicts the extraordinary love between the two in the limited space of a penitentiary facility.
Tetsuaki is an unpublished novelist who makes his living by taking odd jobs. When Tetsuaki hears that Mitsuko, a staff at a publishing house, is getting married, he confesses his love to her. Mitsuko rejects him. But after the engagement is broken off she falls in love with Tetsuaki. Unfortunately, Mitsuko comes from a rich family and finds it demeaning to live a life that is too much deprived of material comforts.
Jang-hyeon is in the leasing business and he lives with his son Byeong-cheol. One day he gets a call from his daughter-in-law in the States that she’s coming to Korea for a while and will be staying at Jang-hyeon’s house. Jang-hyeon goes to pick her up from the airport and Byeong-cheol calls his girlfriend for some mature fun, but the daughter-in-law walks in.
The man who lives in the past and The woman who abandoned a past. They were lovers 10 years ago, and had met again in Paris.
Joon-soo was dumped suddenly by his girlfriend Sung-eun and is surprised by his father’s news of re-marriage. What’s even more surprising is that his step-mother to be in his ex-girlfriend Sung-eun. This is nacceptable and Joon-soo is in pain until a mysterious woman named Minki appears in front of him. She knows about him and his real mother. She tells him good things will happen to him and leaves after giving him a frame with a picture of a cat. A sexy woman appears the next day and comforts him, making his step-mother jealous. Will Joon-soo get over his ex-girlfriend? Or will they get back together.
The rich punk Junya has only one thing in mind: to race with the police on his motorcycle. That makes him unpopular, not only with the police, even with his Bosozoku buddies, who slowly but surely distance themselves from him. Junya falls in love with the equally speed-hungry Hiroko.
Film with four separate stories throughout the entire film, the contents of modern love and lust relationship intrigues mainly Cantonese films of social realism with a character, and the film is a masterpiece in which the lens trafficking in women over the carcass, the story and do not forget to join moral criticism, and even talk to women being oppressed. Lui Kei more refined shape for an independent self-image of women
Akiko is the heir to a yakuza clan. Hitoshi, who has been kicked out of the rival Hono Clan after attempting to seduce Akiko, kidnaps her at the behest of Hanamura. Hanamura has formed a new gang and intends to use Akiko as a hostage to take over her clan’s territory. During the torture and abuse sessions which follow, Akiko comes to enjoy the treatment and forsakes her gangland empire.
The thirty-first entry in the “Youth H” series, which produces works in a variety of genres from up-and-coming filmmakers that focus on coming-of-age and sexual themes. It represents the feature-length directorial debut of Harada Yuji, a rising talent who has won praise at film festivals at home and abroad. Sachi (Aita Yoshimi) panics after she suffers a string of misfortunes, such as being cheated on by her boyfriend and nearly getting raped by the owner of the establishment where she works part-time, which drives her to seek refuge in a remote mountain area. There she meets Fujiko (Tokui Yui), a middle-aged stripper who takes to the stage in less than prime physical condition.