- Red Room 1: The Forbidden King Game (1999) aka Akai misshitsu (heya): Kindan no ôsama geemu
- Red Room 2 : The Broken Dolls (2000) aka Shin akai misshitsu (heya): Kowareta ningyô-tachi
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A kidnapped schoolgirl was imprisoned “goods” to re-educate slaves school student numbers was infiltrated as a spy for a secret organization, No. 55 solid objective is destruction of human trafficking and rescue organization for girls that can not escape from hell Prison Break starts desperate campaign!
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An obsession with the life and works of the Marquis de Sade leads a depraved, 1920s-era Japanese count down the path of tragedy and self-destruction in director Akio Jissoji’s lavish erotic drama. In order to impress his wealthy, jaded friends, the decadent nobleman hires thieves, prostitutes, and other undesirables to reenact scenes from the notorious writer’s most revered works. In time, however, simply watching the performances isn’t enough to fulfill the nobleman’s fantasies. Threatening the performers with death should they refuse to make love to his wife while he watches, the nobleman sinks deeper and deeper into his fantasy world of debauchery, even as his degenerate actions threaten dire consequences for all involved.
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This is one of the better films from the Nikkatsu studio’s hard-edged strain of pinku eiga roughies, a violent subset of films trading on beatings, rape, and torture without necessarily falling into traditional S&M film trappings. Nobutaka Masutomi stars as a bar-owner named Kuroki, forlornly waiting for his adulterous wife (Hitomi Kozue) to get back from messing around with her boyfriend (Akira Takahashi). She returns, but because she’s been fooling around with gangsters she brings trouble with her. Kuroki gets tied up and beaten, his wife and customers get tortured and raped, and it is finally up to the mousy cuckold to set things right, Straw Dogs-style. Because this is a Japanese film, however, Kuroki finishes off his vengeful killing spree by murdering his unfaithful wife as well as her attackers.
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