Sadakazu Sawamura is a film projectionist who works for an old movie theater that is about to permanently close. He spends his days staring at the screen from the projection room. One day, he sees someone who shouldn’t be seen – a girl in black – in a film during a screening of it. The girl is staring at him as if she wants to tell him something. After the screening, he checks the film carefully, but can’t find the girl. That night, he encounters a phantom of the girl on the theater’s stage. He hides the girl in his waiting room, and lets her stay for the night. The next day, he tells her not to go out from the room, and leaves for work. He puts the same film on as the previous day, but can’t find the girl in it. He comes back to his waiting room to see if the girl is still there, but she’s gone. He goes to town to search for her, and finally finds the phantom of the girl at a river bank, as if she has beckoned him there. Suddenly, his lost memory comes back to him. He looks at her again, and finds a venomous-looking flower blooming ominously on her head. Who is she? What is that flower? Does it have any connection with his lost memory?
God casts Adam and Eve out of the Garden of Eden because Eve decided to eat a forbidden apple that a talking snake told her to eat. The disgraced couple find themselves battling a coterie of various creatures.
Japanese cult director Hisayasu Sato created this slow-moving pinku-eiga story for Shintoho, one of two for the studio that 12 months among his four 1989 releases. This might be a accepted tale of an harmful scientist (Kazuhiro Sano) whose S
Wolfguy is the only survivor of a clan of werewolves who relies on his feral, full-moon-activated superpowers to solve mysterious crimes. One night, a bizarre, and bloody death in the Tokyo streets plunges him into a far-reaching conspiracy.
The mother does half-nude aerobics until her son rapes her, and the daughter falls into bed with a female teacher. Despite the shocking goings-on, the film is much more in keeping with Sato’s usual themes of alienation and corrupted innocence than its brutal predecessor.
An old man of the village tells kinky ghost stories to a few of it’s inhabitants after all the kids have gone to bed. What follows are stories that have horror elements and some soft-core nudity thrown in.
The beautiful Tomoko loves her husband Masao with all her heart. Unfortunately, the devil has taken Kawakami to exorcise Masao to get rid of the “Evil One”. The fact was established that the immortal had nested himself in Masao’s eye. Initially our savior wanted to let him out of there but it turned out that the devil had already infested all internal organs…
Jungrauen Report is an almost mondo style pseudo documentary on the history of virginity and the pleasures and problems that maintaining and losing it has caused throughout the world and throughout the ages. Sex Report/Schoolgirl Report films were a popular phenomena in Europe during the seventies, and Franco was never one to not get in on a phase, so it makes sense that he’s got at least one of these in his massive and ever growing filmography.
After escaping from an insane asylum, a medical student assumes the identity of a mysterious dead man, who appeared to be his doppelganger, and gets lured to a sinister island ruled by a mad scientist and his malformed men.