Ji-Heun (Choo Ja-Hyun) is a thirty something single woman who suddenly loses her job, apartment and boyfriend. She then moves in with her friend Kyeong-Lin (Han Su-Yeon) and her doctor husband Myeong-Won (Jeong Chan). Kyeong-Lin appears to be the perfect housewife and lives a life of luxury. Their lives become turbulent when Ji-Heun develops feelings for Myeong-Won’s husband and Myeong-Won falls for her husband’s colleague Dong-Joo (Kim Heung-Su).
Being a successful nurse is long been Asuka’s dream. This is the first day she works as a nurse but she was late to work because she meets crowds of satyrs in the train. Her senior Yayoi reminds her to be aware of those men in this place, however it’s too late to recognize about it. The heir of this hospital is deeply impressed by young and beautiful Asuka. One day, those trainees of doctors tricked and raped Asuka, they even recorded the whole process, Asuka swears to herself she will never forgive them!
Trapped in the slums, Insiang finds living with her disapproving, sharp-tongued mother, Tonya, trying. Tonya, having long ago been abandoned by her husband, takes her bitterness out on those around her. In a fit of anger, she finally throws out her husband’s relatives who have been living with her, but it’s not for the sake of their not bringing in money anymore, which it seems on the surface. She’s making way for her boyfriend, Dado, to move in. Dado, the town bully, is young enough to be her son, and this new living situation becomes the talk of the town. It isn’t long before he forces himself upon Insiang. Tonya is at first outraged but soon takes Dado’s side and blames her daughter for her own rape. Insiang leaves home to seek support and solace from her ardent would-be boyfriend Bebot, but he proves to be another Lothario as well. Forced to return home, Insiang turns this inescapable situation upon itself to exact revenge.
the film tells the story of Oden Takahashi (Takako Shinozuka), who was executed for stealing, prostituting herself, and murdering people with poison. According to Nishimura’s film, however, Oden was really just an overly indulgent wife who loved her husband so much that she committed her crimes in order to support him.
Made in Thailand. Oriental Beauties fill the screen as an exciting story of murder, rape and revenge unfolds. A fascinating tour of Asian bars, bath houses and massage parlours with every kind of sexual action. A touch of violence adds to the suspense of the “best oriental adult film” of the year. Winner of the Golden Erotica Award.
Masumura’s 44th film capitalizes on the student unrest of the late sixties as background for a story about a ‘liberated’ woman. Cruelly nymphomaniac, Michi is described as an ‘independent child of the times’, with no family obligations, no taste for housekeeping, and no need of a man to support her.
Atsushi Kanai (Hiroshi Yamamoto) is a lecturer at the University of Tokyo. Despite being in his thirties, Atsushi Kanai is still a virgin. One day, Atsushi reunites with his former student Moe Kitajima (Megumi Kagurazaka) and decides that she will be the one to take his virginity. But, Atsushi finds out that she will soon be studying abroad.