Tough girl biker Ako (pop singer Akiko Wada) comes across Mei (Meiko Kaji) and her girl gang (the Alleycats/Stray Cats) as they are about to have a knife fight in Shinjuku, Tokyo with another gang of girls. When the second gang calls in their boyfriends for help, Ako joins in and turns the tide for Mei and her gang and becomes a leader figure for the girls. Meanwhile, Mei’s boyfriend Michio (Koji Wada) wants to join some right-wing nationalists, the Seiyu Group. To prove himself, he induces an old friend Kelly (Ken Sanders) to throw a boxing match so the Seiyu Group can cash in betting against him. But when the boxer, encouraged by Ako and Mei, wins the fight, the Seiyu Group takes their anger out on Michio until Mei and the Alleycats rescue him. But Mei and the girls are now on the run from the powerful group. Mei is eventually killed and Ako leaves Shinjuku, roaring away on her bike.
This is the story of three Japanese women in the glamourous world of adult film. There is Miho who is a house wife in her thirties and needs to do something new with herself. There is Ayako the teenage high school girl who still relies on her mother. There is Ayano who has moved to the big city of Tokyo.
A father moves with his three sons and their beautiful, hard working servant in a big, old house in the countryside, where a weird drowsiness seems to occupy the four men. Will it be possible for one of them to break free?
A woman who has just missed her suicide and a couple which has just left its political movement meet on a beach… A very rare ATG distributed Wakamatsu, starring Ken Yoshizawa and Rie Yokoyama as two pieces of a destructive love-triangle. Has all the usual Wakamatsu themes of politics, suicide and twisted love, as well as stylish Hideo Ito cinematography and great use of the more or less single set (a beach with an abandoned boat on it).
Sachiko and Yoshida are newlyweds, and have just moved into a newly-constructed apartment with completely white rooms. It’s reasonable to expect that they would be enjoying their newlywed life, but Sachiko is refusing to go along with Yoshida’s sexual demands. One day, Yoshida’s junior colleague, Kato, shows him a video. Its title is White Room: Evening Classroom Inspection, and in it a girl is shown holding a photograph of her mother against her thigh while engaged in fondling. But the astounding thing is that it is a room in their newly-constructed apartment! Yoshida stealthily takes the video home, but Sachiko sees what it contains.
Oda is a cowardly and boring man, his only redeeming feature being his diligence. He continues to live with his wife, Ayane, but they can’t seem to produce children and are troubled as to whether their relationship will survive. One evening Oda returns home to find a pair of blue toy handcuffs hanging on the doorknocker. Using them, Oda humiliates Ayane. Although bewildered at first, Ayane begins to respond, and Oda becomes increasing excited as he sexually assaults her. In truth, the blue handcuffs were Ayane’s contrivance. There was a time in the past when she used to reach climax