A Japanese scientist discovers that the mind and personality of a dying person can be transferred to a robot. He commits suicide to prove it. The robot/scientist exploits his new arrangements by embarking on a program of kidnapping, rape and murder. Then a robotrix, a similarly converted former female police officer, and her team of robotrices, throw some very nasty wrenches in his works.
In the late Tokugawa period, the Edo government is using Spies from Iga Province to cause the downfall of innocent provincial Daimyo. The Shogun needs to claim the assets of fallen clans in order to boost the failing economies of Edo. The Ninjahunters, jesting Sunlight or Tadanoshi Unui (Ryuhei Uchida) & gaunt Moonlight or Denosuke Kusaba (Mikeo Narita), are led by a brooding fellow named Jubei Muroto. These three ronin are not your normal ornery ruffians who are looking for a drink, a broad and someone to jab a sword into, but are in fact former samurai who, rather than follow their destroyed fiefs and murdered masters into death via seppuku, have dedicated their combined sword prowess to stopping the government from raping its daimyos for valuable resources. It turns out that in the Tokugawa era’s twilight years, one of the tools that the shogunate would screw their daimyos with would be the ninja-sometimes referred to as ‘shadows’. The ‘shadows’ would manipulate the daimyos by planting incriminating anti-shogunate evidence (therefore they could be taken over under the ruse of being treasonous or mutinous), by stealing valuable documents (asserting a fiefdom’s inalienable right of existence), or by the assassination of key political figures and lords. In a sense, the Shadow Hunters act as a kind of firefighter to the Tokugawa shogunate’s ninja bad guys; moving from land to land, offering their swords and ridding Japan of the accursed ‘shadows’ that destroyed their own clans.
Carol Jeffries (known as ‘Jeff’) is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them.
The three Shadow Hunters return for another round of Ninja killing. As the film opens, the three Hunters are apart but each is attacked by a “Kunoichi”, a beautiful, deadly female Ninja. After each has dispatched with the Kunoichi, they reunite for another job thwarting shadows at the behest of a clan. Though its use has been outlawed, a mountain clan has a prized cannon that was used in the civil war. Recently, they have melted it down to make a new and more deadly weapon, even though doing so is in direct defiance of the current Shogun’s orders. The Shadow Hunters must retrieve the new cannon from the summit of the mountain and return it to the village before the Shogun’s inspectors arrive. Unbeknownst to the trio, Domoto Makaku, leader of the Shogun’s shadows, is personally coming to make sure that their mission fails. It will take more than brute strength and swords to get the cannon down the mountain and the Hunters pull out all the stops to complete the mission they’ve been assigned.
Saved by female assassin Mayo, a young orphaned girl flees to America vowing revenge. Years later, she returns to Japan and learns that Mayo has been forced to become a mistress to her enemy Nogi. Ikko begins a war of vengeance against Nogi and his criminal organization.
Mob bodyguard Yamabe once saved Mayo from thugs and went to jail for it; Mayo must kill the man who Yamabe protects; and Suzu, whose husband Shinichi was the man killed by Yamabe’s stray bullet, miscarries her baby. The destinies of these three souls begin to intertwine…
Violent Streets covers standard yakuza ground: the retired gangster forced back into the crime world. A beef brewing within Tokyo’s underworld sets off a series of spectacular violence headlined by some of the genre’s best actors: Noboru Ando, Bunta Sugawara, Akira Kobayashi, and Tetsuro Tanba. Gosha’s skillful delivery prevents the film from losing any sense of seriousness, even at its most violent.
Released after seven years in prison, an inveterate thug goes from strength to ruthless strength as he makes his way through a succession of dubious jobs, illegal schemes, and brutal romances.
Rie and Kishi runs a detective agency in Paris. Fallen flooding not directly and they supplement their budget with guiding Japanese tourists. This takes over when the crime boss Okuyama gives them the assignment to shadow his French mistress. Kishi falls head over heels for her while Okuyama has something weird in sight.