19th century. Oshin is a prostitute in a brothel of a red-light district. A disgraced samurai, Fusanosuke, rushes in the brothel seeking for a refuge, because he had wounded a powerful samurai. Oshin hides him from the authorities and falls in love with him, against an older prostitute’s, Kikuno’s, misgiving. Fusanosuke advises Oshin to cleanse herself by giving up her line of work. Believing falsely that this is a promise for marriage, she turns her customers over to the other prostitutes, who are happy to help her. Funasukoke leaves to be reconciled to his family, but, when he returns, he reveals that he is engaged and is going to marry his fiancé. Some time later a desperate itinerant, Ryosuke, appears and Oshin falls in love again. Meanwhile, an older man asks Kikuno to buy her contract and marry her, but she is entangled with an old abusive customer of hers. One night, while the madam of the brothel is away to thermal baths, a storm hits the area and everybody tries to flee. …
Satoko is a housewife who lives a comfortable life with her businessman husband Hideyuki and her six-year-old son Masato. One day on her way to pick up Masato, she meets Minoru – a newspaper delivery boy who happens to be playing catch with Masato. At first glance Minoru seems to be a serious, hard-working young man. But she learns that when he was twelve he stabbed and killed his father, who was beating up his mother. He had done this to protect his mother, but instead she abandoned her son and disappeared. Minoru sees a little of his mother in Satoko, and starts to follow her around. As he does, he discovers that Satoko is being threatened by the yakuza Tawara. Soon Satoko’s husband Hideyuki senses something wrong as his wife begins to change, and comes up with some wild ideas. As passion and love envelop them, Minoru tries to save Satoko. Satoko wishes to escape, but fear keeps her from doing so. What each person feels… is it reality or just an illusion?
The story of an orphan girl, brought up in naive, rustic innocence by an elderly relative, who is suddenly exposed to the brutality, greed and deceptiveness of the outside world, when her grandmother dies. Notwithstanding her healthy distrust of all strangers, which her upbringing instilled in her, it is not long before a cunning racketeer finds her weak point, that temptation which she cannot resist, that weakness, different as it may be, that each of us has, and brings her into his power. What follows is a depiction of her cruel descent into the depths of moral decay, as she becomes a collaborator in a system of exploitation, unbridled lust, vanity, and greed, in which she and other victims are always the losers. But throughout this struggle, there remains in her the seed of defiance, and a spark of resistance, a stubborn obstinacy that will not give in. It is this conflict between fundamental principle and the expedience of giving in to material advantage that forms the core of the film. The irreconcilable contradiction between eternal values, and short term gratification.
Secretary Sayo (Junko Mabuki) does some corporate snooping for her boyfriend, an upstart executive with a rival company. But she gets busted by the CEO (Akira Takahashi). Poor Sayo is captured and taken to a private torture chamber in the corporate mansion. While the secretary gets punished, the bossman’s son (Jun Nakahara) becomes infatuated with her beautiful white skin and he assumes the disciplinary responsibilities. Between the floggings, stretchings, and wooden-horse tortures he finds time to cover her body in an elaborate tattoo.
A young man is obsessed with the image of beauty represented by the Temple of the Golden Pavilion. At first, he becomes a monk there, but various sexual encounters turn him against the temple, and he begins to wish to destroy it.
It’s the evening before the day all brothels must be shut-down, according to the new law, in 1958. At the Kofukuya’s (literally, the house that sells happiness), five prostitutes decide to celebrate the day. Erotism, drama, and comedy mix as each hour, and a different event passes, in which all the women’s stories come to the surface.
The story involves an unscrupulous billionaire who kidnaps a young college girl and keeps her trapped in his basement. Once there, he forces her to take part in an S&M video that fulfills all his sick personal fantasies.
An emotionally distraught young man goes on a violent killing spree after his tuberculosis keeps him from serving in World War II and is frowned upon by his fellow villagers.
Two sisters, Justine and Juliette, are as different as it’s possible to be, but they both wind up working as prostitutes. The main difference between the two, however, is that Juliette enjoys every minute of it, romping with the rich and powerful in the lap of luxury, while Justine detests her position, lives in squalor and poverty and is dragged deeper and deeper into degradation and perversion.