Erratic director Yukihiko Kondo moved into darker, more carnal territory than he had explored in his previous work with this problematic but worthwhile pinku eiga entry from Nikkatsu. Hitomi Kozue stars as Ayako, a corporate secretary who was once raped by a company executive and was awarded her current position as compensation. Ayako sees a younger woman raped in a stairwell by the same guy, and starts looking over shoulder, as she’s sure she is about to lose her job in favor of the young victim. She’s right, but Ayako still manages to have one last corporate fling when she attends a wanton orgy with a gay male co-worker. Sleazy and unpleasant, but well-paced and at times quite erotic, this was one of Nikkatsu’s more interesting releases of the year. Erina Miyai co-stars as Kei Sasao and Hirokazu Ito.
Choi (Kang Hye-Jung) begins work as a student-teacher at a high school. During her first day on the job, English teacher Lee Yoo-Rim (Park Hae-Il) hits on her in a very brash manner. Choi then using his position as a superior and any other method he can think of tries to get Choi to go out with him and eventually he succeeds. The problem is that they are both in long lasting relationships. Choi is actually engaged to a doctor, while Lee Yoo-Rim dated the same woman for the past six years. While Lee Yoo-Rim seems to be content with having their relationship continue as an affair, Choi worries about having sex without “love.” Eventually the administration at their place of work finds out about their relationship and they must now hide or reveal their relationship. The result is an an unexpected reversal of roles between them as co-workers, as well as a reversal of dynamics in their personal relationship.
Directed by Jin Seung Hyun, the curiously titled indie drama July 32nd is inspired by the short story “Full Moon” by acclaimed writer Ko Un. Screened at the 2008 Fukuoka Film Festival and the 2008 Shanghai Film Festival, the film depicts the tumultuous relationship of a killer and his daughter, whose lives are upturned on July 31, 1987. Pursued by the police, he leaves his five-year-old daughter in someone else’s care, promising to pick her up the next day. But the next day never comes because he soon gets arrested. Years later, the abandoned daughter has grown up, and the waiting has turned into the longing for revenge.
When a writer for a porn magazine, watches a “rape” porn that is set in a school, he becomes obsessed with the lead actress, Nami, and tries to find her. He meets her by chance as he arrives for a shoot at a hotel.
This is one of the better films from the Nikkatsu studio’s hard-edged strain of pinku eiga roughies, a violent subset of films trading on beatings, rape, and torture without necessarily falling into traditional S&M film trappings. Nobutaka Masutomi stars as a bar-owner named Kuroki, forlornly waiting for his adulterous wife (Hitomi Kozue) to get back from messing around with her boyfriend (Akira Takahashi). She returns, but because she’s been fooling around with gangsters she brings trouble with her. Kuroki gets tied up and beaten, his wife and customers get tortured and raped, and it is finally up to the mousy cuckold to set things right, Straw Dogs-style. Because this is a Japanese film, however, Kuroki finishes off his vengeful killing spree by murdering his unfaithful wife as well as her attackers.